The Screening Room
door Ronald Bijleveld
The Screening room visual kunst programma die zich richt op Video kunst en experimenteel film gemaakt door nationale en veel al internationale kunstenaars die hun werk vertonen in Musea, festivals en galeries over de hele wereld, de Screening room neemt in samenwerking met The Zapruder Art movement een selectie uit de collectie samen gesteld door Ronald Zapruder (Thezapruderartmovement@gmail.com)
Afleveringen(62)
Screening Room on Demand
THE FILMS OF PETER KUBELKA 1955-1977PETER KUBELKA is a major figure in the contemporary avant-garde film movement—a movement disGnguished to a large extent by the casGng aside of the tradiGonal narraGve form, by the quesGoning of illusionism in cinema, by a movement towards abstracGon, and by a reflexive invesGgaGon of the nature of the filmic medium. Kubelka, a Viennese, and the only prominent European in the group, belongs to the especially abstract and Minimalist side of this mulGfaceted movement. By Elena Pinto SimonVORMITTAGSSPUK(GHOSTS BEFORE BREAKFAST) by HANS RICHTER 1928«Pure vintage dada. A humorous, deligh\ul, grotesque in which ordinary objects rebel against their daily rouGne and, for a brief period of liberaGon, fallow their own laws. A bow- Ge undoes itself, bowler hats float gracefully through the air, coffee cups leap from a tray to smash themselves on the ground, and so forth. At the stroke of noon, they return to their normal funcGonal state. GHOSTS BEFORE BREAKFAST represents one of the earliest collaboraGons between avant-garde filmmaker and composer: Paul Hindemith's score accompanied the film when it was first shown at an avent-garde music fesGval in Baden- Baden in 1928.» Standish D. Lawder.
Atrabilious experimental film fest amsterdam
1 our of film of Ayrabilious Amsterdam Experimental Filmfestival curated by Lukjansky https://www.instagram.com/lukjanskythepainter/
Compendium - David King
David King is a multi award-winning writer, filmmaker and video artist whose works have screened at festivals, galleries, screening venues, and museums around the world. He also curates two international programs - 'Eclectic Dreams' video art program which screens on Visual Container TV and 'Exploratory Visions' animation + experimental + avant garde film program which screens on The Screening Room from the last weekend of November and the first weekend of December each year. He lives with his partner and daughter in the Australian seaside town of Portarlington, Victoria.
Screening Room on Demand @saltoamsterdam
Screening Room on Demand @saltoamsterdam | 'Seeing as another' | program curated by Outwave Cinema for The Zapruders Art Movement @experimentalfilmamsterdam Program "NoArt" An observational film by Aleksandra Mitrofanova @sachikowinslow_ edit & post by Sergo Babasjants @sergobabasjants sound master @p0rt “Angry White Male” by Ronald Bijleveld @lukjanskythepainter "QUID PRO QUO." Film on Joram Krol. A film by Igor de Boer 2022-2023 Instagram: @igordeboer instagram: @joram_krol www.joramkrol.com "Playing Dead" by J Roussel Super8 film, self-developed "There are razorblades on my fingertip." by J Roussel Super8 film, self-developed Instagram: @jrousselart Website: www.jrousselart.com "Fallen Angel." Self-portrait by Bibi Karen Peterson @bibikaren.wrks "Eestimaa" a video diary by Bibi Karen Peterson @bibikaren.wrks
Retrotansmission | part 3
Artist Statement. ....Retro Transmission comes after tranSFixion pilote https://archive.org/details/tranSFixion, and is another attempt to understand the meaning behind my video art clips. Everything I create use intuition at a quite high level, so I use to think about me more like being a tool, I represent myself walking blindfolded, whispering "don't look back". But curiosity caught me, so I reworked the 2 last years, mixing them together, more or less, adding at least one more layer, to try to reveal a holistic meaning, to understand how its related to this world, my life and dreams. The same way I studied many experimental cinema pioneers before (a fine example is Terminal Acid Kaleidoscope Experience http://archive.org/details/TheAcidKaleidoscopeExperience) but this time I did it nearly only with my own material. Also It seems Moon Mimicry Mutations https://archive.org/details/moon-mimicry-mutations may be the origin of Retro Transmission, because it's actually like a fifth level of mutation, and it gives a good idea of how here everything is permeable at the opposite of linear creations, built rationally. Then for me if I cut out a single frame it would be the sideration, like being caught in a feedback loop flux. But for you who have your eyes wide open what would be the effect ? Ed End (France)
Retrotansmission | part 2
Retro Transmission comes after tranSFixion pilote https://archive.org/details/tranSFixion, and is another attempt to understand the meaning behind my video art clips. Everything I create use intuition at a quite high level, so I use to think about me more like being a tool, I represent myself walking blindfolded, whispering "don't look back". But curiosity caught me, so I reworked the 2 last years, mixing them together, more or less, adding at least one more layer, to try to reveal a holistic meaning, to understand how its related to this world, my life and dreams. The same way I studied many experimental cinema pioneers before (a fine example is Terminal Acid Kaleidoscope Experience http://archive.org/details/TheAcidKaleidoscopeExperience) but this time I did it nearly only with my own material. Also It seems Moon Mimicry Mutations https://archive.org/details/moon-mimicry-mutations may be the origin of Retro Transmission, because it's actually like a fifth level of mutation, and it gives a good idea of how here everything is permeable at the opposite of linear creations, built rationally. Then for me if I cut out a single frame it would be the sideration, like being caught in a feedback loop flux. But for you who have your eyes wide open what would be the effect ?
Part 1 of Retro Transmision is part The powerful. films of Artist Ed End
Artist statement ......Retro Transmission comes after tranSFixion pilote https://archive.org/details/tranSFixion, and is another attempt to understand the meaning behind my video art clips. Everything I create use intuition at a quite high level, so I use to think about me more like being a tool, I represent myself walking blindfolded, whispering "don't look back". But curiosity caught me, so I reworked the 2 last years, mixing them together, more or less, adding at least one more layer, to try to reveal a holistic meaning, to understand how its related to this world, my life and dreams. The same way I studied many experimental cinema pioneers before (a fine example is Terminal Acid Kaleidoscope Experience http://archive.org/details/TheAcidKaleidoscopeExperience) but this time I did it nearly only with my own material. Also It seems Moon Mimicry Mutations https://archive.org/details/moon-mimicry-mutations may be the origin of Retro Transmission, because it's actually like a fifth level of mutation, and it gives a good idea of how here everything is permeable at the opposite of linear creations, built rationally. Then for me if I cut out a single frame it would be the sideration, like being caught in a feedback loop flux. But for you who have your eyes wide open what would be the effect ? Ed End
ESTATE Film-Haikai SCREENINGROOM
The Screening room is proud to present Estate by Cinéma Fragile (55 min - 2020 - no dialogs) is composed of short cinematographic haïkaï written with a camera, in the spirit and rythm of the japanese poetry. It is made of sights and perceptions collected during summer. Work in constant progress - every day can bring a new haiku - the Cinéma Fragile Haiku- films are an attempt to catch timeless glimpses of beauty amongst the perpetual flow of the present.
The Screening Room On-Demand film program is curated by Outwave Cinema in collaboration with The Zapruder Art Movement
Flaming Creatures 1963, 45" by Jack Smith Fireworks 1945, 15" by Kenneth Anger Six Men Getting Sick (Six Times) 1967, 4" by David Lynch Flaming Creatures 1963 Banned soon after its first midnight screenings, the prints seized and the organizers arrested, Jack Smith’s incendiary Flaming Creatures (1963) quickly became a cause célèbre of the New York underground. Championed and defended by Jonas Mekas and Susan Sontag, among others, the film wildly and gleefully transgresses nearly every norm of Hollywood morality and aesthetics. Fireworks 1945 Completed at the tender age of 17, Fireworks – an audacious pre-Stonewall exploration of homosexuality, violence, and American youth – was the breakthrough film for avant-garde film legend Kenneth Anger. Fireworks takes the form of the trance-film, in which its protagonist (played by Anger himself) partakes in a hypnotic journey through his own unconscious. Anger described the film with the following synopsis: “A dissatisfied dreamer awakes, goes out in the night seeking ‘a light’ and is drawn through the needle’s eye. A dream of a dream, he returns to bed less empty than before.” Six Men Getting Sick 1967 was Lynch's first exploration into film, made during his second year of study at the Pennsylvania Academy of Fine Art in Philadelphia. Lynch describes it as "Fifty-seven seconds of growth and fire, and three seconds of vomit." The transition into film came from a desire to make his paintings move. "I was painting very dark paintings. And I saw some little part of this figure moving, and I heard a wind. And I really wanted these things to move and have a sound with them. And so I started making an animated film as a moving painting. And that was it. I wasn't in the film business."
screening room by Ana Bob
This screening room is based around experimental filmmaker Ana Bob and her inspirations. Her six films are accompanied by avant-garde filmmakers such as Maya Deren (USA, fluxus) and Jean Cocteau (FR), the surreal feminist video art of Pipilotti Rist, the structuralist film of avant-garde artist Paul Shartis and a data-moshing piece from artist Takeshi Murata. All of these stand as strong inspirations for Ana, and shape the way cinematic language is to be understood in her experimental films. Ana’s works can be found at www.anabob.org and on instagram @ana.gram.log
In this new episode of the Screening Room the wonderful films of Eric Leiser
Eric Leiser is an American, filmmaker, animator and holographer.He has made numerous short films, eight of which appear in the DVD release Eclectic Shorts by Eric Leiser, and four features: Faustbook,Imagination, Glitch in the Grid, and Apocalypsis.Leiser's 2016 short film "Anthropic Principle" was included in "Dreamlands: Immersive Cinema and Art, 1905–2016" (October 28, 2016 – February 5, 2017) at the Whitney Museum of American Art in New York City.
A Lockdown free episode of The Screening Room
By The Zapruder Art Movement with Amazing work of Pierre Merejkowsky .. A prisoner at his best behavior, Un confiné qui se tient sage ANACOUSTIC ZONE By Walter Weiss produced by Milan.milosavljevic and Narrated by Greg De Cuir , Mickaël Muraz Cadavre exquis 2021 a collective film (Camille, Christel, Elhadj,Elsa, Ivan, Laura, Mickaël, Mathilde, Thomas and Tom D.) Contempt a experimental film