Screening Room on Demand
THE FILMS OF PETER KUBELKA 1955-1977PETER KUBELKA is a major figure in the contemporary avant-garde film movement—a movement disGnguished to a large extent by the casGng aside of the tradiGonal narraGve form, by the quesGoning of illusionism in cinema, by a movement towards abstracGon, and by a reflexive invesGgaGon of the nature of the filmic medium. Kubelka, a Viennese, and the only prominent European in the group, belongs to the especially abstract and Minimalist side of this mulGfaceted movement. By Elena Pinto SimonVORMITTAGSSPUK(GHOSTS BEFORE BREAKFAST) by HANS RICHTER 1928«Pure vintage dada. A humorous, deligh\ul, grotesque in which ordinary objects rebel against their daily rouGne and, for a brief period of liberaGon, fallow their own laws. A bow- Ge undoes itself, bowler hats float gracefully through the air, coffee cups leap from a tray to smash themselves on the ground, and so forth. At the stroke of noon, they return to their normal funcGonal state. GHOSTS BEFORE BREAKFAST represents one of the earliest collaboraGons between avant-garde filmmaker and composer: Paul Hindemith's score accompanied the film when it was first shown at an avent-garde music fesGval in Baden- Baden in 1928.» Standish D. Lawder.
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vrijdag 6 maart 2026
op SALTO2
Meer van The Screening Room
This program contains work of filmmaker Ronald Bijleveld
Gravity by The zapruder art Movement,
Gravity by The zapruder art Movement, Tonights program of the Screening room ''Graffity from the 70's ,80' s till now with an Portrait of Dutch Artist Harm Tuyn, aka ‘’Onkruyd’ a Film by Igor de Boer ,and Nekuma (2020) film by Mickaël Muraz
Retrotansmission | part 2
Retro Transmission comes after tranSFixion pilote https://archive.org/details/tranSFixion, and is another attempt to understand the meaning behind my video art clips. Everything I create use intuition at a quite high level, so I use to think about me more like being a tool, I represent myself walking blindfolded, whispering "don't look back". But curiosity caught me, so I reworked the 2 last years, mixing them together, more or less, adding at least one more layer, to try to reveal a holistic meaning, to understand how its related to this world, my life and dreams. The same way I studied many experimental cinema pioneers before (a fine example is Terminal Acid Kaleidoscope Experience http://archive.org/details/TheAcidKaleidoscopeExperience) but this time I did it nearly only with my own material. Also It seems Moon Mimicry Mutations https://archive.org/details/moon-mimicry-mutations may be the origin of Retro Transmission, because it's actually like a fifth level of mutation, and it gives a good idea of how here everything is permeable at the opposite of linear creations, built rationally. Then for me if I cut out a single frame it would be the sideration, like being caught in a feedback loop flux. But for you who have your eyes wide open what would be the effect ?
les Derniers jour du terre a film by Lukjansky
a film shot in Paris in the late 90 s by Ronald Bijleveld aka lukjansky dutch Painter and experimental Filmmaker Amsterdam 1972
Compendium - David King
David King is a multi award-winning writer, filmmaker and video artist whose works have screened at festivals, galleries, screening venues, and museums around the world. He also curates two international programs - 'Eclectic Dreams' video art program which screens on Visual Container TV and 'Exploratory Visions' animation + experimental + avant garde film program which screens on The Screening Room from the last weekend of November and the first weekend of December each year. He lives with his partner and daughter in the Australian seaside town of Portarlington, Victoria.
