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maandag 25 mei 2026
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Meer van The Screening Room
Compendium - David King
David King is a multi award-winning writer, filmmaker and video artist whose works have screened at festivals, galleries, screening venues, and museums around the world. He also curates two international programs - 'Eclectic Dreams' video art program which screens on Visual Container TV and 'Exploratory Visions' animation + experimental + avant garde film program which screens on The Screening Room from the last weekend of November and the first weekend of December each year. He lives with his partner and daughter in the Australian seaside town of Portarlington, Victoria.
Part 1 of Retro Transmision is part The powerful. films of Artist Ed End
Artist statement ......Retro Transmission comes after tranSFixion pilote https://archive.org/details/tranSFixion, and is another attempt to understand the meaning behind my video art clips. Everything I create use intuition at a quite high level, so I use to think about me more like being a tool, I represent myself walking blindfolded, whispering "don't look back". But curiosity caught me, so I reworked the 2 last years, mixing them together, more or less, adding at least one more layer, to try to reveal a holistic meaning, to understand how its related to this world, my life and dreams. The same way I studied many experimental cinema pioneers before (a fine example is Terminal Acid Kaleidoscope Experience http://archive.org/details/TheAcidKaleidoscopeExperience) but this time I did it nearly only with my own material. Also It seems Moon Mimicry Mutations https://archive.org/details/moon-mimicry-mutations may be the origin of Retro Transmission, because it's actually like a fifth level of mutation, and it gives a good idea of how here everything is permeable at the opposite of linear creations, built rationally. Then for me if I cut out a single frame it would be the sideration, like being caught in a feedback loop flux. But for you who have your eyes wide open what would be the effect ? Ed End
Retrotansmission | part 3
Artist Statement. ....Retro Transmission comes after tranSFixion pilote https://archive.org/details/tranSFixion, and is another attempt to understand the meaning behind my video art clips. Everything I create use intuition at a quite high level, so I use to think about me more like being a tool, I represent myself walking blindfolded, whispering "don't look back". But curiosity caught me, so I reworked the 2 last years, mixing them together, more or less, adding at least one more layer, to try to reveal a holistic meaning, to understand how its related to this world, my life and dreams. The same way I studied many experimental cinema pioneers before (a fine example is Terminal Acid Kaleidoscope Experience http://archive.org/details/TheAcidKaleidoscopeExperience) but this time I did it nearly only with my own material. Also It seems Moon Mimicry Mutations https://archive.org/details/moon-mimicry-mutations may be the origin of Retro Transmission, because it's actually like a fifth level of mutation, and it gives a good idea of how here everything is permeable at the opposite of linear creations, built rationally. Then for me if I cut out a single frame it would be the sideration, like being caught in a feedback loop flux. But for you who have your eyes wide open what would be the effect ? Ed End (France)
The Screening Room
Tonights program of the Screening room ''Graffity from the 70's ,80' s till now with an Portrait of Dutch Artist Harm Tuyn, aka ‘’Onkruyd’ a film by Igor de Boer ,and Nekuma (2020) film by Mickaël Muraz
In this new episode of the Screening Room the wonderful films of Eric Leiser
Eric Leiser is an American, filmmaker, animator and holographer.He has made numerous short films, eight of which appear in the DVD release Eclectic Shorts by Eric Leiser, and four features: Faustbook,Imagination, Glitch in the Grid, and Apocalypsis.Leiser's 2016 short film "Anthropic Principle" was included in "Dreamlands: Immersive Cinema and Art, 1905–2016" (October 28, 2016 – February 5, 2017) at the Whitney Museum of American Art in New York City.
Retrotansmission | part 2
Retro Transmission comes after tranSFixion pilote https://archive.org/details/tranSFixion, and is another attempt to understand the meaning behind my video art clips. Everything I create use intuition at a quite high level, so I use to think about me more like being a tool, I represent myself walking blindfolded, whispering "don't look back". But curiosity caught me, so I reworked the 2 last years, mixing them together, more or less, adding at least one more layer, to try to reveal a holistic meaning, to understand how its related to this world, my life and dreams. The same way I studied many experimental cinema pioneers before (a fine example is Terminal Acid Kaleidoscope Experience http://archive.org/details/TheAcidKaleidoscopeExperience) but this time I did it nearly only with my own material. Also It seems Moon Mimicry Mutations https://archive.org/details/moon-mimicry-mutations may be the origin of Retro Transmission, because it's actually like a fifth level of mutation, and it gives a good idea of how here everything is permeable at the opposite of linear creations, built rationally. Then for me if I cut out a single frame it would be the sideration, like being caught in a feedback loop flux. But for you who have your eyes wide open what would be the effect ?